In this thrilling conclusion to the Organ Music dialectic, Sarah accuses Brandon of being dramatic and makes up an acronym, which she then explains, thus eliminating the efficacy of the acronym. Also, listen to the final song of the album.
From: Sarah Braunstein
To: Brandon Hall
Dramatic! Brandon, I don’t have time to respond to this as fully as I’d like (I received a free pass to Lollapalooza that I have to make good use of), but I couldn’t leave all of these ends so open.
I wouldn’t say that I like-like the album although I do like-like a couple of tracks (the opener and “Fast Peter”), and I like-like a lot of moments throughout the course of the album. Despite my strong imagination, I don’t see myself playing this album for a terrible group of people at a hypothetical party nor do I see myself getting in the mood to play Organ Music in full on a weekend morning. Some of the tracks might make a mix that I put together for MEO (“my ears only”), but that’s about it.
In the spirit of full disclosure, I should also mention that my maternal grandmother had a fantastically retro (and dusty) organ in her basement that occupied many a family visit in my youth. I suppose I might be biased.
“One, we got the spirit. Two, we got the music. Three we got the past and four, we got the future.”
Sarah
AudioVole 
Discussion
No comments yet.